Amicia and Mélie discover the mutilated body of a thief, and Mélie fears for her brother, who is being held in the Bastion of the Inquisition. Angry and frightened, Amicia tries to reason with her, telling her that the Bastion is too dangerous and that she will suffer the same fate. Melie refuses to listen and runs off in the direction of the Bastion. Amicia can't bring herself to let her be captured, and chases after her through the streets of the of the city.

Amicia has to watch out for the guards on the prowl, while keeping an eye on Melie, who knows the who knows the alleys and can easily slip between the stalls and hovels. Amicia eventually catches up with Melie and they hide behind a low wall. The bastion is well and the smell of death is in the air.

As the two girls hide, they watch the tall towers whose shadows dominate the small town. A small group of guards pass by and appear to be dragging a man whose feet are chained. The man is trembling, babbling, and his pleas are unmistakable. supplications.

He is dragged forcibly into the Bastion, screaming as he approaches the main gate. He tries with what little strength he has left. The girls see that his mutilated face has already has already suffered the wrath of the Inquisition.

At the same time, pleading voices can be heard from the hanging cages in which the tortured bodies lie. Crows circle the cages, eating the remains of some of the rotting corpses.

Amicia and Melie are horrified by this vision of hell, but Melie seems even more determined to save her brother. As she is about to rush through the door that has just opened, Amicia grabs her shoulder and points out that a group of trapped villagers are coming. She suggests that she join them.

The player must successfully distract the guards with Amicia's slingshot, and be able to mingle with the trapped crowd.

He walks following the villagers and enters the courtyard of the bastion where a stable seems to be used for interrogation. The group is put in a pen like animals and the surrounding discussions and worries cause a guard to threaten the prisoners with a sword. He asks for silence.

The player must manage to get out of this pen and sneak into the courtyard towards a door that seems to lead into the castle. The guards are watching the prisoners but are occasionally interrupted by a superior asking for a report, or a relief of some kind.

The player leaves the pen and has to dodge the guards' surveillance via carts, or barrels by hiding behind them. He reaches the door and Melie picks the lock while Amicia watches that a guard does not approach, if he does, she uses her slingshot to keep him away for a while.

The player will explore the dungeon, and try to find Arthur. The corridors are dark, the player must avoid being spotted by the guards. He may pass several rooms from which shouts or discussions about the plague or the war between France and England are heard.

Melie sees a rather young prisoner passing by and thinks that Arthur must have been isolated as well, so she decides to follow the guard while not being spotted. The bastion is not young anymore, and some walls have fallen down, allowing the heroes to hide. Amicia's slingshot allows them to cross the guarded rooms by creating a diversion, or just by crouching down.

Mole spots one of the guards who captured Arthur and decides to follow him, determined, which worries Amicia. They arrive where the guard is about to urinate and willed him to the floor.

Mélie hits the guard with force and prevents him from struggling and wounding him violently in the face. Barely conscious, Mélie violently orders him to answer his question: where is Arthur, the little redhead he captured. The guard spits blood in Mélie's face. Mélie gets angry again, and Amicia begs her to calm down or she'll get them spotted. The guard who suffers atrociously agrees to answer, Arthur has been put with other young people in the old chapel, where he will be judged and killed.

Mélie, panicked, runs off, leaving the guard in her blood. Amicia tries to hold her back, but Mélie slaps her, ordering her to let go. Amicia then goes in pursuit of Mélie who before falling on a guard who tries to stop them. They manage to defeat him and Mélie continues on her way. The level is interrupted by various fights and escapes against the guards. Each fight allows Amicia to catch up with Mélie, who each time gives her a reason for her behavior.

She notably uses the notion of fraternity, and highlights that her behavior is not reasonable but that losing her brother would be even worse for her. She knows Arthur can't survive without her, but not everyone knows how much she can't live without Arthur.

Mélie, panicked, runs off, leaving the guard in her blood. Amicia tries to hold her back, but Mélie slaps her, ordering her to let go. Amicia then goes in pursuit of Mélie who before falling on a guard who tries to stop them. They manage to defeat him and Mélie continues on her way. The level is interrupted by various fights and escapes against the guards. Each fight allows Amicia to catch up with Mélie, who each time gives her a reason for her behavior.

She notably uses the notion of fraternity, and highlights that her behavior is not reasonable but that losing her brother would be even worse for her. She knows Arthur can't survive without her, but not everyone knows how much she can't live without Arthur.

Amicia must reach the other balcony and have the guards kicked from the beams to save Arthur who is designated by the torturer as the next to be interrogated.

Amicia can also try to extinguish the torches by hitting them with her slingshot as a diversion. The guards and torturers will think of a divine omen that will scare them.

The neutralized are guards, Amicia and Mélie find Arthur again. Mélie serves her brother very strongly and argues with him for having been captured. The other young people also want to go out and ask Amicia for help, who promises to help them. They pass among the children who see a young girl of her age holding her baby brother in her arms. Amicia asks if she can hold it but the baby is dead and the girl refuses to let it go. Amicia is shocked and sees what she could be if Hugo were to die. With Mélie they choose to go out through the door, a door at the back of the chapel.

Mélie picks the lock, and sees that the door leads to a staircase sculpted on the edge of the cliff along the wall. The guards, on alert after Amicia and Mélie messed up, watch the walls and corners. Amicia then tries to get the children to leave one after the other. 

Suddenly, the guard whom Mélie had injured arrives in the chapel with other guards. Mélie and Amicia confront him to buy time for the others. They overcome it, but one of the guards manages to flee to prevent the children from escaping by the staircase. The heroes must quickly flee along the stairs and dodging the arrow shots from the wall. The children all scatter around the town, and the heroes manage to hide by crouching. Now seeking to reach the University.